Secretary Hillary created her own "Text From Hillary"

Texts From Hillary, a hot new Tumblr featuring a sunglasses-clad, all business Hillary Clinton checking her cellphone on a military plane, got a guest submission from an unexpected source on Monday: Secretary of State Clinton herself. It is very hard to believe that Hillary Clinton texted "nice selfie" to the guy who runs Texts From Hillary, but in fact she did, and she finds the whole site hilarious. The week-old Tumblr posted on Tuesday that it had received its first text from the secretary of state herself: "sup Adam nice selfie Stace :-)" she (or a staffer acquainted with Internet-ese) apparently wrote, followed by "ROFL @ ur Tumblr! g2g -- Scrunchie time. ttyl?" (We had to go look up "selfie" — it means self portrait.)

Stacy Lambe, one of the site’s co-creators, confirmed that the post was indeed from the Secretary herself. “Her staff reached out to us with the submission yesterday,” says Lambe. “And we just met with her this afternoon. She was very delightful and thought kindly of us. I can tell you, her staff just thought the whole thing was great.”

Gallery Review:YangShao Ceramic

      The Yangshao culture was a Neolithic culture that existed extensively along the central Yellow River in China. It existed from around 5000 BC to 3000 BC. The culture was discovered in 1921 in Henan Province by the Swedish archaeologist Johan Gunnar Andersson and it was flourished mainly in the provinces of Henan, Shaanxi and Shanxi. The Yangshao culture is specialized in crafting pottery. Yangshao artisans created fine white, red, and black painted pottery with human facial, animal pattern, and geometric designs. Their stone tools were polished and highly specialized. There are about seven ancient Chinese ceramic objects of the Victor Shaw’s collection place in the Museum of Anthropology in University of British Columbia. The Victor Shaw’s collection is placed in the ancient culture area where also placed Korean and Japanese culture heritages. Those seven ceramic objects among the Shaw’s collection are put on the top level of the glass cupboard. Under the soft light spot, the red color looks more shinny and also reflect the good preservation. To many Chinese, collecting antiquities is a means to preserve and worship the past. Staring at Shaw’s collection of beautiful old objects creates a bridge to China’s golden past and antiquities. In addition, his collection of these ancient ceramic objects is a great representation that reflects Chinese cultural value and its long history. 

Jordy Hamilton’s Freedom Machine (2011), Collection: Studies in Decay in Or Gallery, Vancouver

The show named “Studies in Decay” in Or gallery is made up of 4 pieces of arts by 3 different Vancouver- based artists. All works are in dark overtones, which use a more realism way to convey the realistic phenomenon exists in contemporary experience and to call attention to the repeatedly disastrous results. In addition, showed in a catastrophic explosion of cumulative damaging energy, or an organic process, each piece demonstrates the look of decay should be. Jordy Hamilton’s installation Freedom Machine (2011) consists of a series of a large-scale video projection and five 4*6 inch color photographic prints. The violent shooting sound and people’s shouting sound lead me to the end of the gallery. There is a 10 minutes video projection transferred from cassette of the same process that reveals the degraded image quality of the originals showed there. It represents an event held at the artist’s family home near Niagara, Ontario, in conjunction with the Welland County Motorcycle Club barbecue and skeet shooting competition. At the beginning, people pour gas on an old engine-running motorcycle and participants shoot it until it burst into flames after engine failed. The overlapped sound of shooting and the bullet hitting on the motorcycle demonstrate the way that people abreact the resentful feeling to the society or other things. The 4 vintage printed photographic prints are sequentially hung on the wall in the room next to the video. These photos depict a motorcycle catching fire. However, the artist didn’t show himself in the photos. This also depicts his implicit relation to the activities he represents.

My Second Project---Luxury Worship

Notice: Watch with headphone please. Thank you.

In recent years, it has a great increase in purchasing luxury goods in China, especially in Mainland China.
Buying luxury goods seems to be a fashion among the young people who are in the age of 20-30. To satisfy their demand, a large amount of people go travel to Europe and shopping. I am doing this video to show this spectacle in Mainland China. By keep showing overlapped images, it seems that there are lots of information in this video. On the other hand, by showing the same idea, it looks really empty in this video. In this way, it echos my idea that those people using luxury goods to "decorate" themselves, but they are empty inside. I tried to use a critic way to show the truth, and by showing to truth to make people question themselves what they really want and what they should be.

Visual Analysis of Raphael's Portrait of a Lady with a Unicorn

The female portrait “Lady with Unicorn” depicting a blond blue-eyed young woman in a 3/4 profile was done by Raphael in 1506. This oil painting on canvas applied to wood is measured in approximate 65 x 51 centimeters, and now it is in the Galleria Borghese in Rome. The lady is in a green and red velvet dress sitting in a loggia with columns in Tuscan order. The landscape background, which is set apart from the figure in front, gives the painting more depth of field. A gold pendant with a red stone and a white drop shaped pearl is hung over her neck, which is really distinct in the middle of the painting. In addition, she is holding a small greenish unicorn in her lap, which gives the portrait its name.

      The painting was originally attributed to Perugino and the lady was recognized as St. Catherine of Alexandria. The reason of it is that the unicorn symbolizes purity in the medieval romance in place of Catherine’s wheel.[1] It hasn’t been attributed to Raphael until 1934-1936 when the painting was restored. However the identity of the lady in painting is ambiguous, it is said that the woman might be of Giulia Farnese.[2]

      It is known that female portrait in 15^th century is mostly a way of showing her relation to her family or her husband’s family. In that way, being shown as an object with the symbolism objects on her, she is representing the status and the power of the families she in related to. In here, the young lady doesn’t have an eye contact with the viewer, instead, she is looking a little bit to the left, which is showing that she is not sitting there for standing for herself but just an object on display to show the wealth of her husband’s family. In my view, this painting is showing the lady is a new married woman that represents the status of her husband. There are 2 details give me the evidence that the figure is a woman who just get married. One of which is the iconography the unicorn has. During Renaissance, unicorn has various meanings. It is a symbol of purity and grace that can only be caught by a virgin. Under this meaning, the young lady holding a unicorn in her lap clearly describes her purity as a virgin. Additionally, unicorn can also be regarded as a symbol of faithful marriage, in which way it represents the new married situation of this lady. The jewelries she wearing is another thing to pay attention to.  She wears various kinds of jewelries. The big pendant knot on her chain is placed in the center of the painting, which really catches viewers’ eyes. The red, greenish and white color repeat the color of the dress. The combination of the pure high-quality gemstone and the pearl shows wealth of her husband’s family. Moreover, in the early Renaissance, only newly married women can wear pearl, which also underlies her position. Moving close to the painting, you can see a small part of golden hair accessory appears in the middle of her blond hair.

      Raphael used several characters to describe the position of the woman. Depicted in an idealism style, the female figure is really young and beautiful. In another way, he also uses a common way to show her status and the wealth of her husband’s family through the expensive jewelries and the delicately material of the dress. However, different from some other female portrait in same function, Raphael uses the simple elements instead of the fancy dresses and jewelries. By showing in a simple, modest way, the woman looks more likely a woman with virtue and chastity.

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[1] Unicorn, http://en.wikipedia.org/wiki/Unicorn

[2] Giulia Farnese, http://it.wikipedia.org/wiki/Giulia_Farnese

Jeff Wall--- the Dressing Poultry

        Over the last three decades Jeff Wall has redefined the photographic image in art. His stunning large-scale photographs exude the dramatic power of history painting with utterly contemporary subject matter (everyday scenes from modern life) and materials (colour transparencies in light boxes). Each of his photographic tableaux is meticulously constructed — in a process that the artist often compares to cinematography. The show at White Cube Mason's Yard consists of three large-scale colour transparencies mounted on aluminium light-boxes, and six black-and-white photographs. The most arresting light-box work is Dressing Poultry, in which three women process chicken carcasses in a cluttered barn on a small farm not far from Vancouver. It just looks like a snap from daily life of workers. The women laugh as they go about their gory business, loading headless chickens into a rickety plucking machine, before transferring their denuded corpses to a table. To the left, six hunks of pink and pimply flesh hang from a rope. This Brueghelesque scene with the caricatured ‘happily working class’ is about their everyday business.

       Wall is famous for grand tableaux— carefully staged, precisely lit and, since the late 1980s, digitally adjusted. He has been known to spend almost two years on a single picture. But in this case, he paid the farm-hands to let him document their work and refrained from digitally manipulating the image. 

Visual Analysis of Last Judgment by Fra Angelico

Fra Angelico: Last Judgment

      The Last Judgment done in 1435 by Fra Angelico depicts the scene that God is making the judgment on the souls. The scene on the panel takes place at the dawn, implicated by the varied sky color from the deep blue on the top, full of shinning stars, to the white color at the end of the road in the middle. The sky also cuts the painting into upper and lower level; while, a long road to the vanishing point divides the lower level into left and right two parts.

      All figures shown in the painting are simple and are in a natural sitting. Most of them face to the upper center, which calls our attention to the one with the golden emanative ray around him sitting in the center--- the Christ. He is looking down to the lower level in a gesture with his right palm up and left hand downward. There is a row of angles flying around him and in a relatively small size, compared with the Christ. Three angles right down to the Christ hold horns with them, and two of them bow their bodies to extend the horns to the lower level. Around the angels are 28 Saints in different colors of mantles sitting on both right and left sides to the Christ. Two among them sit closer to the Christ, showing their specialness from others, are the Virgin Mary in a pure white mantle on the left and the Baptists St. John on the right.

      Moving to the lower level, Heaven on the right and Hell on the left are separated from each other by a road with several black holes. The whole paradise is like a garden with flowers everywhere. People near the road are looking upwards to God and are praying in Zen gestures. Some people hugs with others and some are led into the garden. In the garden, people are dancing in a circle composition. Everything in Heaven shows the harmony. Far to the end of Heaven, two judged souls are flying into a door with the golden outward ray, which connects to the ray around God.

      By contrast, people in the other side stand back toward the road and are forced to Hell. By the gesture with the up body forwards to the front and the feet stick on the ground, the figures show their unwillingness to Hell. After getting in the door of the hell, the whole space is divided into 5 horizontal levels. Different from the big open space in Heaven, the figures are squeezed in a close space. The whole space is on fire and people in each level are in different punishments. Moreover, people in Hell, contrast to those in Heaven, are naked and some of them are even tied by ropes.  At the bottom of Hell, a big Damn is eating people. The blood leading from his mouth and the pain expressed on the faces of people in Damn’s hand engage viewers into the horrible scene. 

       Angelico uses several factors to connect the three parts in the painting. First, as discussed above, the shinning ray from the door at far right in Heaven is related to the ray around God. In addition, the horn extended to the lower level associates these two levels. One more thing is the white light shown at the end of the road. This is in relation to the white pigments under the Saints, which shows that canonized people bring the light to everyone and each should be under a judgment to their fates. The whole religious panel engages all the viewers to the sacred moment. By showing the realistic torments in hell, viewers are persuaded to behavior in a good manner to get into heaven.